Blog post written by Robbert Kennedy, University of California, Santa Barbra
I am excited to share Phonology: A Coursebook with instructors everywhere. This textbook represents the culmination of many years of thinking about how to make the content of phonology courses more accessible and engaging to students, and I can share a few examples of what is new about it here.
I have always believed phonological analysis to be an important skill for linguists of any stripe, so I think it’s crucial that students establish a solid understanding of its central concepts. But Linguistics is growing as an academic field, with its traditions of structural analysis and documentation joined by those interested in the study of language through the lens of identity, technology, and many other angles. The growth in size and range of our undergraduate population (at my home institution, and surely many others) reflects this. My personal motivation for writing a phonology textbook thus comes from my classroom observation of the varying interests and learning styles among students, not just in phonology courses but in other linguistics courses as well – so that even if the student is not planning on specializing in phonology, they can still experience the course as a practicum in the procedures of the scientific method.
With this in mind, I have structured this book around a mindset of the primacy of data: its chapters are organized around types of phonological processes and patterns, with assimilation, deletion, insertion, harmony, syllabification, stress, and tonal phenomenal all highlighted as objects of phonological analysis. While I have included familiar classic problem sets, including data from languages such as Yokuts, Turkish, Hungarian, Japanese, Kongo, and Polish, I have enriched them with many others that are either less canonical or newly developed, with notable exercises on syllabification, tone, and prosodic morpho-phonology. Moreover, I have used the data to guide the use of formalisms like features, or rules, or tiered representations.
Meanwhile, I have observed in the past that some students have difficulty seeing phonology and the input-output relationship when following the standard teaching practice of introducing them with distributional facts and phonemic analysis. To address this, I introduce the concepts of underlying representations and processes that operate on them with more concretely observable examples of morphophonemic alternation before exploring phonemic analysis and complementary distribution.
This gives students something more tangible to grasp early on – the idea that a single underlying phoneme could have multiple surface allophones is more plainly obvious when the forms of specific morphemes alternate by their phonological context. In practice, teaching about phonemes by using complementary distribution and mutual exclusivity, which are more circumstantial in their evidentiality, risks a level of abstractness that is perhaps best left until later in the term. There is a parallel to be drawn with calculus, where the instructor may teach either integrals or derivatives first. Teaching derivatives first is more intuitive to many learners, but in phonology it is as if we have been teaching integrals first.
I believe this approach dovetails well with the spirit of Cambridge’s Coursebook series, in which the reader is presented with datasets and exercises, but the analytical steps are narrated procedurally to illustrate the links between detecting patterns and accounting for their nuances and complexity.
The second novel component is a deeper integration of typological generalizations as an element of phonological argumentation. In class when leading students on how to decide among competing analyses, I often find myself turning to typological evidence, yet note that this information is not readily at the hands of undergrads. The organization of the book by processes clarifies that there are certain types of phenomena that are typologically prevalent, and I use this to argue for the student that the formal tools should reflect these trends.
Another deliberate aspect of this textbook is how it treats the role of features and representations. Feature charts and derivational conventions are so rich with detail and precision that students can get lost trying to remember them all, especially if they think of the best analysis as one that uses the correct features. I often see students struggling to memorize feature charts for IPA symbols rather than thinking of natural classes in more concrete terms. Thus I emphasize in the text that the features are valuable analytical tools, but what a student employs in a given analysis must primarily distinguish groups of sounds that behave differently.
This textbook is aimed at introductory phonology classes, particularly for students who have completed an introductory course in linguistics and/or phonetics and have working knowledge of IPA transcription and some basics of morphological analysis. Nevertheless the datasets are numerous and rich enough to be useful for more advanced students of phonology as well.
I look forward to using this textbook in the classroom and sincerely hope other phonology instructors will find it both useful and engaging as a resource for their students.
Teaching a course on this topic?
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Blog post written by Liz Morrish co-author of Exploring Language and Linguistics
When we contemplated producing a new introductory textbook in Linguistics, we wanted to offer students something different. Engagement and learning gain are hot topics in higher education circles at the moment, and we feel this book is ahead of the curve. Introductory textbooks can sometimes leave the curious student unsatisfied. They can open up a subject, and then leave the reader wondering where to go next. We decided that students should begin their experience of linguistics with high-quality chapters written by internationally-recognized experts in each of the different fields. The authors have been selected for their experience in writing for an introductory undergraduate audience, to present each sub-discipline of linguistics in an accessible manner. Universities should offer research-led teaching right from day one, and we wanted to capture that aspiration in this textbook.
We also wanted to make sure that students were as engaged by theoretical chapters as much as by chapters in applied linguistics. To ensure this, we have asked authors to structure their chapters around text-box summaries, and frequent exercises (yes, the answers are in the back of the book). There is also an interactive website to support the book, with even more exercises for students to confirm understanding and get feedback. In response to an excellent suggestion by a reviewer, we have also included a group exercise for each chapter.
We were aware that linguistics courses in the US tend to emphasize more structural approaches (phonology, syntax etc.), while those in the UK feature more applied and discourse analytical approaches. In the introductory module which we as editors have co-taught for many years, we have always treated these two approaches equally. We know that students need a thorough grounding in the levels of linguistic description and the tools of linguistic analysis before they are fully prepared to progress to more advanced courses and apply their learning to real-world settings.
To give some examples of how we offer students engaging and challenging exercises:
The phonetics chapter explains the articulation of consonants and vowels, and leads students to a group exercise in making sociophonetic observations. Students will be able to confirm their understanding in the sociolinguistics chapter where the group exercise asks them to make judgements drawing on concepts in phonology, grammar, lexis and discourse in investigating data from the archive of the British Library’s website Sounds Familiar? The language and ideology chapter introduces students to analytical techniques which uncover ideologies in texts, and their relationship to power structures. In the web exercise on language and the media, groups of students are invited to bring these concepts to an examination of a website of a news organisation and critically evaluate the meanings inherent in choices of language, attribution and even pictures as they affect the reading of stories.
It could be argued that the authors of the structural chapters have had a tougher challenge in engaging students, but this has been fully met with some excellent resources and exercises:
The syntax chapter invites students to solve problems by playing with word order in noun phrases; the pragmatics chapter presents data of children with pragmatic disorders so that students can use concepts such as presupposition to diagnose clinical problems; the semantics chapter requires students to question the basis of antonymy and contrast in the lexicon.
This book is fascinating and accessible. It will structure the learning of all students, and extend the conceptual abilities of the most able. We are definitely expecting to see great results in our own modules.
Find out more about this textbook written by Natalie Braber, Liz Morrish & Louise Cummings here
Middle Egyptian, written by Proffessor James Allen, introduces the reader to the writing system of ancient Egypt and the language of hieroglyphic texts. It explores the most important aspects of ancient Egyptian history, society, religion, literature, and language. Grammar lessons and cultural essays allows users not only to read hieroglyphic texts but also to understand them, providing the foundation for understanding texts on monuments and reading great works of ancient Egyptian literature. This third edition is revised and reorganized, particularly in its approach to the verbal system, based on recent advances in understanding the language. (The following excerpt is taken from Chapter 1).
1. Language and Writing
Egyptian is the ancient and original language of Egypt. It belongs to the language family known as Afro-Asiatic or Hamito-Semitic and is related to both of that family’s branches: North African languages such as Berber and Beja, and Asiatic languages such as Arabic, Ethiopic, and Hebrew. Within Afro-Asiatic, Egyptian is unique. It has features that are common to both branches, although it is closer to the African side of the family.
Egyptian first appeared in writing shortly before 3200 BC and remained a living language until the eleventh century AD1. Beginning with the Muslim conquest of Egypt in AD 641, Arabic gradually replaced Egyptian as the dominant language in Egypt. Today, the language of Egypt is Arabic. Egyptian is a dead language, like Latin, which can only be studied in writing, though it is still spoken in the rituals of the Coptic (Egyptian Christian) Church. Throughout its long lifetime, Egyptian underwent tremendous changes. Scholars classify its history into two phases and five major stages:
1) Old Egyptian is the first stage of the language. Although Egyptian writing is first attested before 3200 BC, these early inscriptions (called Archaic Egyptian) consist only of names and labels. Old Egyptian proper is dated from approximately 2700 BC, when the first extensive texts appeared, until about 2100 BC.
2) Middle Egyptian (or Classical Egyptian) is closely related to Old Egyptian. First attested around 2100 BC, it survived as a spoken language for some five hundred years but remained the standard hieroglyphic language for the rest of ancient Egyptian history. Middle Egyptian is the phase of the language discussed in this book.
3)Late Egyptian began to replace Middle Egyptian as the spoken language after 1600 BC, and it remained in use until about 600 BC. Though descended from Old and Middle Egyptian, Late Egyptian differed substantially from the earlier phases, particularly in grammar. Traces of Late Egyptian can be found in texts earlier than 1600 BC, but it did not appear as a full written language until after 1300 BC.
4) Demotic developed out of Late Egyptian. It first appeared around 650 BC and survived until the fifth century AD.
5) Coptic is the name given to the final stage of ancient Egyptian, which is closely related to Demotic. It appeared at the end of the first century AD and was spoken for nearly a thousand years thereafter. The last known texts written by native speakers of Coptic date to the eleventh century AD.
Egyptian also had several dialects. These regional differences in speech and writing are best attested in Coptic, which had five major dialects. They can only be partly detected in the writing of earlier phases of Egyptian, but they undoubtedly existed then as well: a letter from about 1200 BC complains that a correspondent’s language is as incomprehensible as that of a northern Egyptian speaking with an Egyptian from the south. The southern dialect of Coptic, known as Saidic, was the classical form; the northern one, called Bohairic, is the dialect used in Coptic Church services today.
The basic writing system of ancient Egyptian consisted of about five hundred common signs, known as hieroglyphs. The term “hieroglyph” comes from two Greek words meaning “sacred carvings,” which are a translation, in turn, of the Egyptians’ own name for their writing system, “the god’s speech.” Each sign in this system is a hieroglyph, and the system as a whole is called hieroglyphic (not “hieroglyphics”).
Unlike Mesopotamian cuneiform or Chinese, whose beginnings can be traced over several hundred years, hieroglyphic writing seems to appear in Egypt suddenly, around 3250 BC, as a complete system. Scholars are divided in their opinions about its origins. Some suggest that the earlier, developmental stages of hieroglyphic were written on perishable materials, such as wood, and simply have not survived. Others argue that the system could have been invented all at once by an unknown genius. Although it was once thought that the idea of writing came to Egypt from Mesopotamia, recent discoveries indicate that writing arose independently in Egypt.
People since the ancient Greeks have tried to understand this system as a mystical encoding of secret wisdom, but hieroglyphic is no more mysterious than any other system that has been used to record language. Basically, hieroglyphic is nothing more than the way the ancient Egyptians wrote their language . To read hieroglyphic, therefore, you have to learn the Egyptian language.
 Some scholars prefer BCE and CE rather than BC and AD. Because both conventions use the same benchmark (see Essay 9), however, this book retains the older system.
Read the full excerpt from Middle Egyptian, An Introduction to the Language and Culture of Hieroglyphs, here.
The Study of Language has proven itself to be the student and instructor choice for first courses in language and linguistics because of its accessible approach to, what is often, a complicated subject. In every edition, readers have praised the book for being easy to follow, simple to understand, and fun to read, with its quirky anecdotes and examples of languages from around the world. Now in its fifth edition, it is further strengthened by the addition of new student ‘tasks’ (guiding readers to connect theory to real-world scenarios), including examples from even more foreign languages, and updating the text to reflect the most current linguistic theory. We will also be offering an enriched learning experience with our new enhanced eBook (publishing in Autumn), which will include pop-up glossary terms, embedded audio and interactive questioning. All of these features make this the most student-friendly edition of the textbook yet.
Paragraph above by Valerie Appleby, Development Editor, Cambridge University Press
by Neil Murray
When it comes to writing, academic disciplines – particularly those within the humanities and social sciences – have a good deal in common and, for the most part, they share very similar expectations of students’ writing.
However, despite such similarity, each discipline also tends to have its own particular set of conventions, its own way of doing things, and the fields of English language and linguistics are certainly no exception. The variation that can exist between the writing practices of different disciplines can leave students who are just starting out on course assignments or research projects uncertain about what exactly they should be doing and how. Although libraries or student services units will often produce guides to help them navigate this territory, these tend to be generic rather than discipline-specific; and while individual departments may give their students guidance on how to write within their particular discipline, such guidance is often sketchy at best, providing only a few general pointers and often leaving them with more questions than answers.
My new book Writing Essays in English Language and Linguistics uncovers, for the intending or newly-enrolled student, some of the particularities of writing English language and linguistics essays and research projects. In doing so, it presents discipline-specific guidance on such things as assignment questions, information sources, the nature of evidence, referencing, stylistic issues and formatting, alongside much that is more generic and applicable to other areas of academic inquiry. All examples, tasks and illustrations are English language/linguistics related and many are authentic.
The book has been written in a style which, I hope, is engaging and easily accessible to undergraduate students. In order to clarify explanations, it includes numerous examples, as well as tasks designed to help you test and consolidate your understanding of the ideas presented. It also includes ‘tips’ – experience-based insights to help you improve your writing and avoid common pitfalls. Finally, there’s a handy section on Frequently-Asked Questions and a glossary of linguistics terms.
Neil Murray is Associate Professor in Applied Linguistics at the University of South Australia, and has over 30 years’ experience of lecturing in the subject.
Writing Essays in English Language and Linguistics is available from Cambridge University Press at £16.99 / $27.99
NEW TEXTBOOK: Lexical Meaning, M. Lynne Murphy
The ideal introduction for students of semantics, Lexical Meaning fills the gap left by more general semantics textbooks, providing the teacher and the student with insights into word meaning beyond the traditional overviews of lexical relations. The book explores the relationship between word meanings and syntax and semantics more generally. It provides a balanced overview of the main theoretical approaches, along with a lucid explanation of their relative strengths and weaknesses. After covering the main topics in lexical meaning, such as polysemy and sense relations, the textbook surveys the types of meanings represented by different word classes. It explains abstract concepts in clear language, using a wide range of examples, and includes linguistic puzzles in each chapter to encourage the student to practise using the concepts. ‘Adopt-a-Word’ exercises give students the chance to research a particular word, building a portfolio of specialist work on a single word.
‘A lucid, explanatory, problem-oriented textbook promoting original student research. The Adopt-a-Word scheme is ingenious.’ Carita Paradis, Linnaeus University
Click here to look inside the book
Lecturers, click here to read the table of contents, find out more, and order your inpsection copy today