How do we ‘authenticate’ our own identities? Can hip-hop help us in this process? If so, what might we ‘invoke’ and what are the implications for social class and various other aspects of identity?
In this article we look at the spontaneously occurring conversation of four ethnically mixed, working class young men from South London. The data recorded by these young men soon led us to appreciate the significance of hip hop talk to the authentication and identification processes within this group. We found that the data contains many phonological, grammatical, and lexical markers that are indexical of what we call Hip Hop Speech Style (HHSS). However, our data also shows how difficult it is to differentiate between HHSS and the kind of multiethnolect spoken by many young Londoners.
Our own study aims to demonstrate the value of moving the study of authenticity in relation to hip hop from a consideration of (the indexicality of) linguistic style towards a focus on discourse and ideological meanings. A limited number of studies have approached the topic of hip-hop authenticity with an analytic focus on discourses/ideologies rather than linguistic style and even fewer studies have investigated what we might call ‘third sphere’ of hip hop, that is, interaction among Hip Hop fans and activists.
In our analysis we focus on terms and expressions that not only index, or, in other words ‘invoke’ or ‘point to’ various aspects of hip-hop culture, but that also need to be understood in relation to wider macro-sociological concepts. These cultural concepts in turn ‘index’ or ‘invoke’ unconscious sociocultural knowledge and allow speakers to position themselves in relation to these concepts and to one another. This often indirect relationship between linguistic forms and social meaning, and between different levels of indexicality, is at the core of indexicality studies.
Thus, when the young men talk about ‘white girls from The Hills’, or ‘hipsters moving into the hood’, or, in reference to the local gang, ‘dhem man will spray the matic out da Porsche’, they not only evaluate the authenticity of their own and others’ identity performances in relation to hip-hop culture, but hip-hop culture in itself is presented as indexical of various aspects of larger-scale practices and structures.
The speakers position ‘white posh girls from The Hills’, ‘hipsters moving into the hood’, ‘white boys from Cambridge’, as well as the pop star Miley Cyrus in opposition to hip-hop culture. What is interesting is that many of these individuals take part in cultural practices that in themselves index allegiance with hip-hop or street culture, for example, by producing World Star Hip Hop videos, by moving to or living in the hood or in rough London estates, by having extensive knowledge about hip hop, or by ‘twerking like a mutha *****’. These attempts to index hip-hop or street authenticity, however, are not accepted by the group.
Read the full article ‘Hipsters in the hood: Authenticating indexicalities in young men’s hip-hop talk‘ for free through 30th November 2016.